DUCHESNE— May 24, at the house of the Rev. G. Vasey, 47, Highbury Park, Mrs. Robert Duchesne, of Highbury-hill, of twins, baptised George and Robert.
The clergyman mentioned was the Rev. George Vasey, curate of St. Saviour’s, Highbury. He had had enough. This had to stop.
The 32-year old curate had been in the North London parish since 1873. In addition to his church work, assisting Canon Moore, Vasey had started a private prep school for boys which had achieved some excellent results. He had been assisted financially by Robert Duchesne, a merchant grocer in the City. Mrs. Mary Duchesne and her daughter, Florence, had been helpful in other ways, fitting out the school with linens, crockery and the like. The previous December, the Rev. Mr. Vasey and 20-year old Florence Duchesne were married at Christ Church, Highbury.
It was a well-known fact that a young bachelor curate would always be “a considerable attraction to the young ladies of the neighbourhood.” Upon word of his engagement, the Rev. Vasey received a visit from Miss Maud Cooper. Maud insisted that the curate had previously pledged himself to her sister, Lucy, who was understandably heartsick. Vasey denied any such courtship and, certainly, Lucy's feelings were not reciprocated. Anonymous letters began arriving around Highbury a short time later.
These “abominable libels,” not only targeted the clergyman but also his new mother-in-law, Mrs. Mary Duchesne. “Your wife is still going on in her old habits,” read a note sent to Mr. Duchesne. The sender threatened Duchesne: put a stop to it or “you will be hissed in the streets.” One of the teachers at the school received a letter asking why she would work at an institution where such “shameful conduct” was allowed. The writer accused Mrs. Duchesne of “walking out” with Mr. Vasey whenever her husband was away. Canon Moore, the patron of the parish, of course, would get a letter. Why had he not put a stop to this “grievous scandal?” No man was safe with Mrs. Duchesne whose house was known as “the bad house on Highbury Hill.” After services one Sunday, Lucy Cooper actually confronted Mrs. Duchesne and asked, "Aren't these scandals terrible?" Then came the "twins" announcement in The Standard.
The merged cases of Duchesne v. Cooper and Vasey v. Cooper took place at the Law Courts in May 1879. The plaintiffs asserted that the sisters Cooper, spinsters in their 30’s, were behind all of it. Vasey testified that he only met the Cooper ladies through his church work. He had no relationship of any kind with Lucy Cooper. Both Mr. Vasey and Mrs. Duchesne testified before Judge Sir Henry Hawkins, denying any improprieties had occurred between them. Vasey presented to the court one signed letter in which Lucy berated him and declared that she never wanted to see him again. Charles Chabot, London’s go-to man for handwriting analysis, was examined. He had compared the anonymous letters with Lucy's letter and other items written by the sisters, he concluded that the offending letters were mainly in the hand of Miss Lucy, but some had been written by Miss Maud Cooper.
The attorney for the sisters Cooper assured the court his clients did not write the letters, moreover, they wished to make clear for the record that they absolutely repudiated the improper and immoral imputations contained therein. Lucy and Maud each took the stand to deny sending any of these offensive notes. In fact, each sister claimed to have receive similar offensive letters.
Two days into the trial, Judge Hawkins met with lawyers for each side. He clearly felt the Cooper ladies were guilty. He was sure the jury would agree with him. To allow the case to go to the jury for a verdict would expose the sisters to perjury charges and no one wanted that. The evidence had fully contradicted the abominable imputations against Rev. Vasey and Mrs. Duchesne, which was why they came to court in the first place. Let's leave it at that, Hawkins suggested. The case was allowed to end without a verdict. A kindly outcome managed by the judge they called "Hangin' Hawkins."
The Rev. and Mrs. Vasey, with their growing family, remained in Highbury for several more years. Their in-laws (eventually) moved to Essex.
St. Saviour's is now an art studio. It is a listed building, remembered as being once the subject of a Betjeman poem, the "great red church of my parents."
The Rev. and Mrs. Vasey, with their growing family, remained in Highbury for several more years. Their in-laws (eventually) moved to Essex.
St. Saviour's is now an art studio. It is a listed building, remembered as being once the subject of a Betjeman poem, the "great red church of my parents."
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